no spec differences found
No inductance for one of them, so output leans on DC resistance; tone charts compared directly.

Very hot, tight and aggressive, with forward mids and a dark top end.
Hotter than 89% of the 365 Strat single-coils we have · estimated from resistance
“For me, Tone Zone S is too muddy, boomy, bass-heavy.”
The closest pickup in each direction that still fits the same slot. See every match
high outputdarkmid-forwardtight & aggressivenoiseless
From DiMarzio's published specs ↗ (opens in a new tab). Traits come from these specs by stated rules.
Fits the neck or bridge of a Stratocaster or HSS Strat.
Upgrading from the DiMarzio The Tone Zone S? Put it on the map and see what sits where you want your tone to go.
Each score is how close a pickup is on measured specs, out of 100. The meter shows how many of those specs we could compare; a grey score means few could be. Filters cover the top 40. How scoring works
no spec differences found
No inductance for one of them, so output leans on DC resistance; tone charts compared directly.
no spec differences found
No inductance for one of them, so output leans on DC resistance; tone charts compared directly.
no spec differences found
No inductance for one of them, so output leans on DC resistance; tone charts compared directly.
scooped mids
No inductance for one of them, so output leans on DC resistance; tone charts compared directly.
lower output · tighter low end
No inductance for one of them, so output leans on DC resistance; tone charts compared against each maker's average.
scooped mids
No inductance for one of them, so output leans on DC resistance; tone charts compared against each maker's average.
Demos, reviews and forum posts, quoted word for word and linked to where they were published.
“It’s high-output, sure, but not in a “blow out your amp” kind of way – more like a tight, controlled punch.”
“Coil-splitting or parallel wiring can sweeten things up further – great for glassy cleans or funky mids without swapping guitars.”
“I prefer the FS2 for its midrange and clarity, but I also like the Tone Zone S more for the bridge and the Pro Track for the middle and neck to be honest.”
“For me, Tone Zone S is too muddy, boomy, bass-heavy.”
Played the DiMarzio The Tone Zone S?
Tell other players how it sounds in your guitar. These are visitors' own comments: checked for spam before they appear, but not fact-checked like the sourced quotes above.
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